The Winter Jazz
I did the artwork for this poem by Inam Hussain Mullick. Click on the picture if you wish to read the poem.
The Winter Jazz
I did the artwork for this poem by Inam Hussain Mullick. Click on the picture if you wish to read the poem.
The bell-boy stepped into my rented room
of elbow-brushed windows and I asked him,
Why does this hotel
smell of sunlight
so soon?
He pointed to a painting.
He said he knew.
So the rumours
of our sweat still remain,
clinging to the silvered frame
hung on this wall,
and the canvas feels like
a second skin,
Skin, I said, that was caught
on the corner of your bed,
old lover.
Skin, I repeated, that was
no longer fresh,
and I surely left it behind.
Yes,
I have seen your nakedness before,
and today once more
I feel it in these disturbed colours,
but who stands hidden
in the corner of the painting
possibly reciting songs from memory
to the red sparse tree, and making
the world believe that he
loves and exists
like the poor light
filtering in and drawing his shadow.
(He cannot be you,
because you believed in night
and miracles, only,
and your tinted glasses changed
the way you looked
at the world and me.)
And while I lean through
the frame, trying to
paralyse the night sky,
letting down my hair
like a shadow
of some fairytale,
for you,
my grey lover,
asking you to climb out over the edge
your smell stalks away into
the chalk-laden streets
far, far away from this painting
while your old whisper rings,
Girl, you said, make me violet,
like the sky in your pocket
and I will be your poem in death.
Then the bell-boy murmured
that he knew all about poetry
and he granted me
deliverance, suddenly.
I’ll take you, he said, to Bluebeard’s Room
if only you could pledge
to set free the demon of scents.
But I could only promise him
my name.
He must have agreed for soon
I let his steps roam,
as freely as his voice
till I entered the room
of blueprints and bones.
Silently,
the sea seeped in through the floor,
you crept in too, dusting chalk dust
from your clothes.
And I knew you wanted a reward
for your presence.
As the music ceased in your boundary
of blue walls, I lie down again
for I have transgressed,
and my slashed wrist must feed
the dried blood on your sheets.
Lover, I said, you must know
my skin is scarred now
and I cannot leave it behind.

- I’ll write.
- Will you bring back prayers for me?
- I’ll write everyday.
- Yes, but will you bring back some bells too?
- Keep an eye on the mail. You tend to forget.
- You won’t bring back prayers it seems. Will you bring back letters then?
- I will send letters!
- Oh. Do send some prayers too. And silver bells.
- I will bring your bells, I promise I will.
- Small bells, but pure silver. They must tinkle sweetly, for they must compensate for everything I miss.
- Anything else?
- Can I send letters too?
On nights when the chorus puts an end to silence,
and their song unfolds on her wooden desk
she writes a thousand letters.
trickling into the hands of strangers…
‘Bring back for keepsake
the muted prayers of the monastery
and the mist-like swirling colours
of the snow drenched hills.
Colours that would fill my palette…
for in splattered strokes your portrait stands-
unfinished.’
and remembering prayers,
nights of playing out desires-
the desire of clear voices and ink,
she writes a thousand letters.
losing themselves in the yawning strangeness
of strange men in distant cities…
***

When your mouth starts tasting like the city, you know it is time to leave.
Time to leave, you muse, as you trace the thick coat of grime, dust and parched gaping streets that have made their way into your mouth, with the tip of your dry tongue. You look at your callused feet and wonder, to whom do they belong…and as you run streaming water through those cropped tresses you wonder why it smells like tar…
Yet, you step out to brave another day of strange faces and myths. Evening descends and on the bus-ride back home you trace the thick coat of grime and dust with the tip of your tongue and again you decide to leave the city. A slice of emerald green enters the square frame of your spectacles leaving you startled. Oh yes, the sky still exists.
Instead of going back to the four-walled home you inhabit these days, you enter a little café on
-She is me. She is me in another city. Not here, not in
-She does not look wretched, perhaps she is one of those people who enjoy being alone.
-No! This loneliness is forced down your throat. This loneliness is that of strange cities and strange nights. I can be found in Mumbai, sitting with a diary, smoking innumerable cigarettes and drinking steaming cups of coffee, counting calories, reading some odd, bright book that I had picked up from a nearby bookstore- in a café where people are busy sharing memories with someone or the other, in a city that revels in company…and me… I’m all alone. And loneliness feels like being drugged after a certain point of time…
That girl sitting in the corner of this busy café in
None will notice the translucent figure of a solitary woman on these streets… not even if you walk the same streets a thousand times over, not if you buy your newspaper from the same man on the corner every evening, not if you throw some money into the crooked bowl of the dozing beggar every night. I do not blame them in Mumbai… and I’m sure she too doesn’t , here, in
And when you walked back to your tiny apartment that night, the stranger’s voice crept into your ears repeating itself like some unending echo, persuading you to believe that you were indeed translucent, that your skin was stretched tautly encompassing the entire city, stretched like a canvas, and that you ceased to be solid while succumbing to that intense pull…
You repeated your well-rehearsed prayer while kneeling beside your bed at night. The ground felt cold and hard, and your ankles seemed bound to some ancient stone, and a line slipped on its own into your prayer (a prayer usually preserved for forgiveness, kindness, pity and love). You heard yourself say, above the din of the stranger’s voice you had carried home in that black notebook, “Make me opaque.”
Next morning I did not see you step out to brave the gray morning.
You left the city on that very night of voices and answered prayers I heard, and that they call you a green gypsy these days.