Saturday, August 16, 2008

Deliver this to Caliban

Recalcitrant Caliban,

Thought I’d let you know

Miranda utters curses

with your flair these days.

Strange.

I always thought

she’d make a perfect princess.

She often tells me,

Father, your brave new world

has let me down.

Ferdinand has his court,

and I’m just a souvenir

from the island he holds his own,

the island, once your kingdom,

is his by right, or so he says,

the island, once my home,

is but a thinning plot-device

for him.

The tempest is not mentioned

in those pithy measured sentences

he metes out.

I smile at his people,

they aren’t mine. Here, everyday

is a tempest

for I’m Ferdinand’s creature

deformed and defiled,

yet, he whispers softly at night-

his fingers gripping my neck

firmly, cautiously,

I gave you a brave new world

Miranda, look and be awed

I saved you from yourself

Miranda,

so smile, Miranda, smile.

Monstrous Caliban,

with regret,

I shall send

some ancient magic

her way to starve her

bursting insides,

stitch her gaping heart

now raw,

soon deadened,

and pitch her into darkness

again.

If she rises from the sea,

she’ll take shelter

within your rock.

Monday, August 11, 2008



yes, i am getting lousier when it comes to digital artwork. did this ages ago and i don't know why on earth i am posting this at all. be kind with comments. thanks XD

Monday, August 4, 2008

both hands

- ani difranco

i am walking
out in the rain
and i am listening to the low moan
of the dial tone again
and i am getting
nowhere with you
and i can't let it go
and i can't get through...


the old woman behind the pink curtains
and the closed door
on the first floor
she's listening through the air shaft
to see how long our swan song can last
and both hands
now use both hands
oh, no don't close your eyes

i am writing
graffiti on your body
i am drawing the story of
how hard we tried
i am watching your chest rise and fall
like the tides of my life,

and the rest of it all
and your bones have been my bedframe
and your flesh has been my pillow
i am waiting for sleep
to offer up the deed
with both hands

in each other's shadows we grew less and less tall
and eventually our theories couldn't explain it all
and i'm recording our history now on the bedroom wall
and when we leave the landlord will come
and paint over it all

and i am walking
out in the rain
and i am listening to the low moan of the dial tone again
and i am getting nowhere with you
and i can't let it go
and i can't get through

so now use both hands
please use both hands
oh, no don't close your eyes
i am writing graffiti on your body
i am drawing the story of how hard we tried

hard we tried
how hard we tried

***


I couldn't help but post this. thank you weevil girl for asking me
to browse through her lyrics whenever
i had time to spare.


:)

Monday, June 30, 2008

Fragile. Handle with care.
Instructions boldly set in red letters over the many boxes that I have lugged across all the cities I chose to breathe in.

Put your hand inside a box and close your eyes. The first thing you fish out of it happens to be my first book of nursery rhymes illustrated with animals against a blue backdrop, dog-eared and much loved, usually held upside down and read with animated pleasure. Next, you find a beautiful red polka dotted dress, with white flowers (now yellow) drooping from a tiny belt. There are bits and pieces of broken glass from vases too delicate to survive the journey. There are many magazines, mostly Sanandas. Oh yes, Maa loved them. Some issues are missing, she tells you. Some paper cuttings and books the packers did not bother themselves with. Baba’s oldest briefcase, stashed with files. What are these things? You ask incredulously to a man who loves paperwork more than his morning cup of tea. Oh those, he sighs. Remember the share of land I was forced to sell a decade ago? I didn’t want to let go of it, I wanted to build a house for us. But I sold it, and all I have are these papers proving that I made a bad deal.

You might find a thin orange notebook I used once-upon-a-time. I have not chanced upon it yet. Go ahead and search. Hand it over to me once you find it. It has the first poem I ever wrote. Class three. A fight with Dada, and I end up spilling tears into my first poem. I don’t remember it properly, but I do recall the silliest lines of them all-

But, why why why/ When I cry?

Perhaps it was right then, that sadness became an essential part of everything I created. I shoved the copy into some corner of the cabinet, along with many other firsts. My first doodle, first fountain pen, and the first broken part of my first doll. My first set of colours, or rather, the ones I clearly remember, were grand. Camel 24 Oil Pastel Colours. I took them to school the next day, a place I hated as intensely as was humanly possible.

And somebody stole them.

No, I wasn’t given a 24 colour set again.

(12 colours will do just fine, said Maa.

You keep on losing things, she said. What happened to your identity card?

I lost it. I am sorry.

How can you lose something that is hung around your neck?

They wanted to see it. It was snatched away from me. Then they tore it.

Who they?

The students. They don’t like me. I am new here.

Then complain about it to your class teacher for God’s sake!

She doesn’t like me.

Why?

Naamer maney boltey parini ager din. (I couldn’t explain the meaning of my name.)

Did she ask you to explain it?

Yes.

What did you say?

I told her that it doesn’t mean anything. Why did you give me a name that doesn’t mean anything?

Of course it means something! I don’t know for sure. Oh I just read the name somewhere and I liked it. Schools these days, they interfere e-v-e-r-y-w-h-e-r-e…)

Are you done yet?

Oh those. Yes, Jack Dawson and Titanic. Old posters those, I’ll throw them away later. We have had enough of peeking into boxes for the time being. Sometimes these cardboard pieces can’t really bear the weight of your dreams. They sag and droop, and leave marks on the marble floor you have just polished. So we move out of the freshly painted rooms and walk.

Mild autumn sun.

Rain dusted roads. I look at my footsteps, and the washed lane sparkles like never before. A regular boy across the road leans towards a glass window. I ask you to notice the lopsided grin and school boy eyes. He is flushed with pleasure with every sound he picks up on the bends, and so are you. I’d understand once I’m done with the boxes back home.

I don’t like strangers as a rule. So I politely scrape their last words off my plate. I’ll get used to this, I tell you, once I unpack.

Now you know who’s fragile.

Handle with care.

Sunday, June 22, 2008

another poem for alleyways

That walk ended in familiarity

(A cigarette for you madam?)

We entered the entrails

of the city, here

the narrow alleyways

clasp close the vinyl records

of yesteryears.


Traipsing

over cobblestones

in this summer heat,

all I wanted

was vocabulary.


Soon, I’d hunger

for apt verses

to lock in such an afternoon.

(And I needed a bit of rhyme

for lines one could sing.)


I have stopped penning

poetry, you know.

Everytime I write

I peel you apart.

Naked outlandish eyes

skim through you

with every ink scrawl.


Yet, one must make

some space

to hold in the last hours

of daylight.

Thursday, May 15, 2008

random clicks


something I drew on adobephotoshop. and i named it Obhimaan, just like that.